WMOT isn’t the only Nashville radio station that opened a new studio in 2024. The other one is twice as old and changed American music history. WSM 650 AM, known since the 1930s as the Air Castle of the South, conceived and built the Grand Ole Opry, oversaw a massive, multi-genre live music apparatus, launched the business environment known as Music Row, and even gave Music City its identity and name. And this coming Oct. 5 will be its 100th birthday. So it was due to get some gifts, including a new broadcast studio and museum.

Sierra Hull brings a measure of small-town delight and innocence to roots and bluegrass that perfectly compliments her innate gifts and her formal schooling in high level music-making. The mandolinist, songwriter, singer, and band leader has emerged, since her youthful debut in 2008, as a star of her field and an inspiring figure in Americana. Her four IBMA Mandolin Player of the Year awards are part of the story. But so is her composing, her collaborating and her records. The first in five years - and her first independent release - is A Tip Toe High Wire, coming March 7. This episode complements a bio-oriented show in 2018, emphasizing Hull’s recent work with Béla Fleck, Cory Wong and others, and of course the thought behind and production of her newest release.

Up in New York, Eric Lindberg and Doni Zasloff lead Nefesh Mountain, a one-of-a-kind progressive string band that has blended bluegrass, newgrass, and traditional Jewish folk music for just over a decade. Their Jan. 31 release, Beacons, is an ambitious double album with an Americana side and a bluegrass side. Then on Valentine’s Day, North Carolina couple Austin and Sarah McCombie - The Chatham Rabbits - offered their fourth album Be Real With Me, a nine-song set that sees their songwriting getting more personally candid and their sound enhanced by electric textures and percussion for the first time. As they both deal honestly with being married for love and music, I can hear these recordings in conversation with each other.